15 September 2010

Art Advising at its Best. (The Art of Tomorrow by Bruus Strube in VS Magazin)


The Art Advisor

NICOLAI FRAHM


Art advisor and collector Nicolai Frahm discovered his enthusiasm for art collecting as a young boy browsing through his father’s auction house catalogues. Later he hit London right when the Young British Artists won the scene, and today the 34-year-old Dane is regarded among the top ten art advisors in the world, with a high profile clientele counting Frank Cohen and Charles Saatchi. He spends a lot of time scanning through “a bloody ludicrous amount” of art newsletters and books, traveling to the most important art fairs and biennales and talking to gallerists and artists. Frahm regards the situation like this: “The art market has just gone through a long period of unprecedented high prices and now it will go through a period where we will see severe price adjustments and a re-appraisal of quality. In an up market great works become available at high prices, but in a down market collectors tend to hold on to the great works. In a down market there are opportunities to buy works at low prices, but rarely the masterpieces you really want for an important collection,” says Frahm, who also believes that it’s the scene’s youngest contributors who are facing the hardest time.
“In a down-dwindling cycle, it is always the hyped works by emerging rising stars or the second- and third-rate works by blue chip artists that suffer first. Collectors go back to buying ‘safe’ artworks.” Having the market so close at hand, he wasn’t surprised by the financial meltdown. He meets economic malady with surprising cheer and predicts only positive consequences from the crisis. “I love the crisis! Now it is fun to buy! I’m sure we’ll have a bit more time to reflect on what we take in and want to enjoy at home or at our museums. Quality can be scrutinized again. A crisis like this makes everything run a bit slower and gives us more time to decide what is a good acquisition for a collection and what may be superfluous. It will be a good time for buyers.”

Will art still be in fashion?
“I hope not. It should never be fashionable. Fashion should be fashionable. Fashion always passes too quickly. Art should outlast all trends and take the connoisseur onto an interesting and stimulating journey. That’s what made great art great, it lasted longer than anything else.”

29 August 2010

Good Art Bad Art

Florian Germann (b. 1978 Swiss)

http://www.floriangermann.ch/

http://www.boltelang.com/viewArtist/album/Content/artists/Florian-Germann.html?t=c


19 August 2010

Edition with Spichtig

New Edition by Tobias Spichtig now available @ SAL Projects! Edition of 10 only for CHF 475.- Order now!

Glassworks Reversed, 2010
Vinyl Record LP 33 rpm
31 x 31 cm
Edition of 10

Here is the new edition entitled Glassworks Reversed by Zurich based artist, Tobias Spichtig. The infamous 1982 release, Glassworks by Phillip Glass, a subtle and most beautifully repetitive piece of modern classical music is recorded backwards, encased in a mirrored silkscreened LP-cover. Only when actively listened to it, will the audience hear the miscarriage of tone and rythm. A subtle play and homage simultaneously.

Exhibition with Bauer, Eloyan and Masüger

Where Cuckoos Nest in Autumn
     On show from 17 June 2010 – 5 September 2010 @ SAL Projects

...with Marc Bauer, (Swiss, b.1975), Armen Eloyan (Armenian, b.1966) and Sara Masüger (Swiss, b.1978). The three artists met and studied together at the Rijksakademie Van Beeldende Kunsten in Amsterdam between 2002 and 2004. At SAL Projects, they are exhibiting together for the first time.  





http://www.facebook.com/album.php?aid=255736&id=711514781&l=d27c7ca9db

Image of the Day (002)

Music

Rock the Slaughterhouse
with minimetal, me and the minimes, teppichmode, miss flash champagne & nanouk.

28 November 2009



http://www.facebook.com/album.php?aid=175066&id=711514781&l=906ed5e4b5

Exhibition with Zürcher

SWEET OCCUPATION     Silvie Zürcher 
On show from 28 November 2009 – 31 January 2010 @ SAL Projects

I am the lizard king
I can do anything
We came down from Phoenix enthralled
And I can tell you
The names of the Kingdom
I can tell you

Listening for a fistfull of silence
Climbing valleys into the shade
And I lied my head in shame
You gonna remember my name
I wasn't born to follow
I am only made out of flesh bones and blood

And a new day will dawn
I am no ones son

All the tired horses in the sun
Our shadows taller than our soul.
But they just cant kill the beast
Outside in the distance a wildcat did growl
And a new day will dawn
Im no ones son

I want more

You wont get what you deserve
You are what you take
there ain't no easy way out
and I need all the love i can get
And the wind wispered in my ears
I am thougher than the rest
Tell the gossipers and liars
I will see them in the fire
And like a eagle I will rise
Spread my wings and fly
I hung my head and stole away

I never wanna die

Silvie Zürcher. Zurich Based Artist. Stage Design. Collages. Assemblages. Dandyism & Male Stereotypes. Questioning Conventions & the Drama of Humanity.





Exhibition with Spichtig

Tobias Spichtig - Di Stijlled
On show from 11 June – 11 August 2009 @ SAL Projects

„5. Irrational thoughts should be followed absolutely and logically.“ (Sol LeWitt)

What about all the great ideas conceived on a good night out drinking which when written down look shitty and embarrassing the next day. Most of the ideas never leave the artist’s mind because of too much sleep and hang-over. Finally aspirin lets them dissolve, mostly for good reasons. This is not the case for the work being described here.  Film-reels that are dropped into a  glass of schnapps before going to bed and developed without being exposed to light reveal abstracts from outer space.

This is an example of how Tobias Spichtig’s working process could look like. The young Zurich based artist works with any medium available to him. His succinct approach to wildly spread references and ideologically charged icons, generates models of thought that reassemble common strategies and categorizations. Thus reaching out for a post-conceptual position which implies and constantly redefines its own logic in an uniquely radical way.
http://en.wikipedia.org/wiki/Destillation
http://nl.wikipedia.org/wiki/De_Stijl

Good Art Bad Art

Tomas Saraceno (b. 1973 Argentina)

http://slamxhype.com/art-design/tomas-saraceno-at-mudam-luxembourg/

http://www.designboom.com/weblog/cat/10/view/6653/tomas-saraceno-at-venice-art-biennale-09.html
 
http://www.andersen-s.dk/

Editions with Guyton

Wade Guyton (b. 1973)

25 September – 2 October 2007


Lithograph, 2007
Print: Thomi Wolfensberger, J.E. Wolfensberger AG
Edition 35 + 5 AP
108 x 68 cm

Price: CHF 2'000.- Available through the webshop of http://www.hauskonstruktiv.ch
  
This print project with Wade Guyton was the joint brainchild of Dorothea Strauss, Haus Konstruktiv, Kathrin Beer, Christie's and Samuel Leuenberger. The artist, resident in New York, was invited by Haus Konstruktiv, in collaboration with CHRISTIE’S Zurich, to take a first dive into the "world of analogue print". The project resulted in his first lithographic work, which he produced in collaboration with renowned Zurich printer Thomi Wolfensberger. For Wade Guyton, the project represents both an attractive challenge and an exciting experiment which connects the potential of traditional stone printing techniques with Guyton's interest in portraying the world from a contemporary perspective.




Exhibition with Weber

BA Degree show by Nina Weber (b. 1980)

5 June 2007 – 5 December 2007

Well, it wasn't exactly a BA show but we did ask to exhibit Nina Weber's final degree show piece in our house, after she decided to throw it away...which needless to say would have been a shame. We decided to move our bed into a corner and make room for this tableaux vivante instead. And thus it became alive a second time in our bedroom and started what was to become a semi regular exhibition program.

Thx Nina for that!

http://www.rotwandgallery.com/index.php?id=7

Image of the Day (001)